Double Feature Duel
(Final Four):
Big Fish vs. The Nines
Big Fish vs. The Nines
The first
matchup of the Final Four pits one of my Top Five (and a Father’s Day
tradition) against a movie I didn’t even know about but now tell everyone to go
see.
Title: The Nines isn’t particularly
sharp in this category to begin with and it’s going up against a movie named
after one of my nicknames. Tough break, newbie. Maybe Achilles would have had a
better shot. (Point, Big Fish 1-0)
Funnier: The Nines was definitely not
without humor, but that wasn’t its forte. Big Fish wasn’t exactly a
laugh-out-loud production either, but the mood it set definitely tricked me
into thinking it was humorous. (Point, Big Fish 2-0)
Better Turn: It’s tough to diagnose a
movie’s turn when it’s shot as three vignettes. But this one was kinda easy. It
was the end of the first vignette, which produced the first “What the hell?!”
moment of the movie. And it definitely brought the audience into the second
act. (Point, The Nines 2-1)
Better Ending: I almost started typing
“Far and away, the better ending belongs to Big Fish” until I started thinking
about The Nines. And it was worth a thought, but there’s a reason I watch Big
Fish every year on Father’s Day. And there’s a reason I cry every year too. (Point, Big Fish 3-1)
Better Message: The Nines certainly
posed an intriguing question about the nature of creation and thus, God. And
though I love the Living Years message played out in Tim Burton’s head, I have
to give the philosophical nod to the newbie. (Point, The Nines 3-2)
Better Acting: I do love me some Ryan
Reynolds. But I also love me some Ewan McGregor. I also love Albert Finney. But
I love Melissa McCarthy too. And then there’s Elle Fanning. But also Marion
Cottiliard. This one is tough. And looking ahead, possibly game-changing. And
I’m going to have to give it to The Nines. Despite the strange world Big Fish
convinced us to believe in, The Nines gave us three different worlds, each of
them different and superbly acted. (Point, The Nines 3-3)
Poster: Big Fish. In a landslide. (Point, Big Fish 4-3)
Watch again: The Nines. In a slightly
smaller and less horrific landslide. (Point, The Nines 4-4)
More Creative: It all comes down to
this. Which is more creative? They’re both top 5 percentile in creativity for
sure. Big Fish has two worlds, one very real and based in fact and one very
fantastic and based in story. The Nines shows us three vignettes and threads
them together to question the nature of what it is to be a God. I haven’t seen
either of these things taken to the extent these movies have brought it to. It
could really go either way on any given day. But right now, if I had to pitch
these two movies in 50 words or less, I’d lean toward the three vignettes
spelling out the narrative of creation. (Point, The Nines 4-5)
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